The story
Guanrong Chen and Tetsushi Ueta published the system in 1999 while studying how to create chaos on purpose rather than tame it. It resembles Lorenz's, but it is not the same: the two attractors cannot be smoothly deformed into each other.
200 gsm enhanced matte
Printed on thick uncoated art paper at 300 DPI. Rich colour, razor-sharp lines, no glare.
Black or natural wood
Wooden frame, 22 mm deep, with plexiglass that is lighter and safer than glass. Arrives ready to hang.
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The story
Guanrong Chen and Tetsushi Ueta published the system in 1999 while studying how to create chaos on purpose rather than tame it. It resembles Lorenz's, but it is not the same: the two attractors cannot be smoothly deformed into each other.
MATHEMATICS
Every piece is computed, not drawn. These are the real equations and numbers from the program that made this exact piece.
Read the guide: What is a strange attractor? →x' = 35(y − x)y' = −7x − xz + 28yz' = xy − 3z
HISTORY
Henri Poincaré, working on the three-body problem, first glimpses chaos: a tiny change at the start changes the whole outcome.
Edward Lorenz at MIT reduces a model of the atmosphere to three equations and finds that weather cannot be predicted far ahead.
David Ruelle and Floris Takens coin the term "strange attractor".
Lorenz's talk "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" gives the butterfly effect its name.
Lorenz's equations describe warm air rising, cooling and falling, the same motion that builds storm clouds in summer.