Orbital City - sound wave art poster

SERIES E // City

Orbital City

€39

A circular city around a quiet plaza and one central spire - a station in orbit.

Colour
Format
Size

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About the piece

A spectrogram turned into a metropolis. A city that never sleeps. Perlin noise explained

Drawn in code from seed
00004
Series
City
Variant
Round
Palette
Violet
Sizing

30 × 40 cm (12 × 16 in) or 45 × 60 cm (18 × 24 in), with a white border around the picture. Framed prints come in a black or natural wood frame (12 mm wide) with plexiglass, ready to hang.

Print & materials

Fine art matte paper (200 gsm) at 300 DPI, made to order. Every size is rendered natively - lines stay razor-sharp even at the largest size.

Shipping & payment

Free shipping worldwide. Every print is made to order within a few business days and shipped worldwide, packed to arrive flawless. You see the delivery estimate for your country when you order.

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Fine art paper

200 gsm enhanced matte

Printed on thick uncoated art paper at 300 DPI. Rich colour, razor-sharp lines, no glare.

Real wood frames

Black or natural wood

Wooden frame, 22 mm deep, with plexiglass that is lighter and safer than glass. Arrives ready to hang.

Made to order

Free shipping worldwide

Each print is made for you when you order and packed to arrive flawless, wherever you are.

The story

The same spectrogram wound into a circle: time runs around the plaza, frequency from the centre outwards, 716 towers. A wheel-shaped space station was described in 1928 by Slovenian engineer Herman Potočnik.

MATHEMATICS

The maths behind the picture

Every piece is computed, not drawn. These are the real equations and numbers from the program that made this exact piece.

Read the guide: Perlin noise explained →
Equations
H(r, α) = s(α)^1.5 · e^(−((r − 0.62)/0.16)²) + 0.12·ni = frequency band, j = time slices(t) = Σₖ aₖ·(½ + ½·sin(2π·fₖ·t + φₖ)) · Σⱼ bⱼ·e^(−((t − cⱼ)/wⱼ)²)
Parameters
Grid
30 × 30
Towers
716
Signal frequencies
5.802 · 15.055 · 3.086 · 14.985
Swells
0.692±0.209 · 0.32±0.132 · 0.192±0.12
Perlin noise
4 octaves · falloff 0.5
Measured while drawing
Tallest tower
15, 14
Mean height
0.131
What these numbers mean

The form is driven by a sound signal made of the frequencies 5.802 · 15.055 · 3.086 · 14.985. Where the signal is louder, the structure grows further.

Nature is neither perfectly smooth nor completely random: clouds, mountains and waves are somewhere in between. In 1983 Ken Perlin invented a noise that looks like nature: a smooth function that gives random but gentle changes. The program adds four layers (octaves) of this noise, each half as strong and twice as fine as the last. That is what gives the lines life, so they don't look like they were drawn with a ruler.

HISTORY

Where this idea comes from

  1. 1822

    Joseph Fourier publishes that any periodic signal can be broken into a sum of sine waves. It is the basis of sound analysis.

  2. 1947

    Bell Labs presents "visible speech": a spectrograph that turns sound into a picture of frequencies over time.

  3. 1965

    Cooley and Tukey publish the Fast Fourier Transform (FFT), putting spectrograms within reach of every computer.

Perlin noise

  1. 1982

    Ken Perlin works on the effects for the film Tron and is frustrated that computer images look too "machine-like".

  2. 1983

    Perlin invents his noise and publishes it in 1985 at SIGGRAPH, in the paper "An Image Synthesizer".

  3. 1997

    Perlin receives an Academy Award for Technical Achievement: his noise becomes the basis of smoke, fire and cloud textures in film.

  4. 2001

    Perlin publishes an improved version and "simplex" noise. Today games, films and programmer art all over the world use it.

In nature

A spectrogram is a picture of sound: time runs left to right, frequency bottom to top. Ornithologists have used it to read birdsong since the 1950s.